“Petrov is one of the calmest, most softly-spoken dancemakers in our country. That doesn’t mean he fails to see the tragic in music, just that a faint chuckle can sometimes make a stronger impression than a mouth distorted in a scream like a Greek mask.”

ANNA GORDEEVA


MAXIM PETROV IN HIS OWN WORDS

“It’s important to show that theatre is a living organism. We’re not pickled, we take the baggage of the classics and move on.”

Maxim Petrov

In 2012, Maxim Petrov graduated from the Vaganova Russian Ballet Academy (class of Professor Gennadiy Selyutskiy). From 2012 to 2023, he was a dancer at the Mariinsky Theatre. He has been working as a choreographer since 2014, and his works have entered the repertoires of the Mariinsky Theatre, Atlanta Ballet, and the opera theatres of Ekaterinburg, Samara, Nizhniy Novgorod, and Tashkent. He has worked as a choreographer and a director of movement for operas at the Mariinsky, the Bolshoi Theatre, and Ural Opera, working with the directors Graham Vick, Yannis Kokkos, and Dmitriy Volkostrelov. He was the co-creator of the productions DJ Pavel and Two Rings at teatre post. He directed Stravinsky’s Renard. Mavra. The Fairy’s Kiss at the Mariinsky and Bellini’s Norma at Perm Opera.

He was awarded the Golden Mask National Theatre Award for Best Choreography for the ballet Russian Dead Ends – II (2021) and the Golden Scoop St. Petetrsburg Higher Theatre Prize (2022).

Since 2023, he has been the artistic director and chief ballet master at Ural Ballet.

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