Sonia Jiménez's choreography is a dance on the edge. The heroine is suspended in vertigo, poised on the brink of a leap into the unknown. The instinct of self-preservation still restrains her, yet a storm of emotions, doubts, and fears builds an almost unbearable tension… Arturo Márquez's explosive score fuels this confrontation with raw energy, shaping a piercing metaphor of inner struggle.

Choreographer Edgar Zendejas and his dancers become conduits for a work he believes already existed in the realm of ideas. Déjà is the process of giving form to a vision — each gesture carved with sculptural precision. A refined contemporary movement language and a minimalist visual design create the atmosphere of a focused laboratory experiment, where the beauty of pure form is born.

In Gnawa, Nacho Duato creates a mesmerizing ritual inspired by the heritage of the Gnawa people. The music — a hypnotic fusion of Spanish and North African influences — establishes a pulsating rhythm, while the dancers' movements, at times fluid and at times sharply articulated, evoke images of ancient ceremonies. This is a meditation on roots, migration, and creative force that emerges at the crossroads of civilizations.

The work of Israeli choreographer Itzik Galili is a hymn to light. Here, light becomes a full co-author of the performance and its central metaphor. The title, derived from the Japanese words for "light" (光, hikari) and "presence / being nearby" (里, zatto), speaks for itself. Galili dissolves movement within a play of illumination, tracing dance through beams, shadows, and reflections to create a living, breathing architecture of light — a purifying, almost transcendent experience.